Did you know what you wanted the cover to look like when you started the design process?
I had no idea really what I wanted. I gave my designer a stock photo I wanted used and let her have at it.
What kinds of questions did your cover designer ask before he/she began working?
My designer also happens to be my critique partner and my friend. She knows me pretty well so we didn’t really talk about it. I trust her judgement and know that she’s going to give me a cover I like. She does the custom covers for Romcon as well as their pre-made covers.
Did the cover artist make content suggestions, or did he/she ask you for a detailed description of what you wanted?
She gives me a cover and then I make changes if I want them. As I said, she knows me pretty well and knows what I want.
How many revisions did you ask for before you were satisfied with the result? This particular cover I didn’t ask for revisions on. We had already made most of the changes to the first cover in the series, so revisions to this one weren’t necessary. With the first one, I didn’t really ask for anything on the picture. I wanted some minor changes to the lettering.
Were you happy with the artwork that was used to create the final cover?
Yes, I picked the artwork before the cover was made. The cover was created around the artwork I gave her.
Would you change anything about your cover if you could?
No, I love my cover.
If this book is part of a series, how did you convey that on the cover?
The lettering is what makes the covers in the series show that it’s a series. The type of lettering, the way the title is done, make the series. The changes are to the background and the models. The pictures I picked out depicted the characters as I have them in my head.
What made you decide to (or not to) feature the hero and/or heroine on the cover?
I knew that I wanted both the hero and heroine on these covers because it’s a mail order bride series.
Would you make your covers yourself if you were able?
No. I don’t have the artist’s eye for making covers.
What do you think of the fonts on your cover? How do they add to the overall design?
The fonts are what make the covers unique. Anyone can use the stock photos that I bought, but no one will ever have my cover, unless they copy it.
Have you ever changed the cover of this book? Of another book? Why did you make the switch? Do you feel it was beneficial?
I haven’t changed the cover of this book. It’s my latest release. I have changed the cover on six of my other books in an effort to drum up sales. So far it has not worked. It’s very hard to sell scifi romance. It’s a very small niche.
If your book was traditionally published (versus indie published), how much say did you have in the cover design process? Would you make changes to the cover if you could?
If my books were traditionally published, I’d be lucky to have any say in the cover process. I understand that they give the author a questionnaire, but I also know that they don’t really pay much attention to the answers to the questions.
After a disastrous marriage, Matchmaker Maggie vowed never to marry again. She will never give another man the power of life and death over her body and soul. Unfortunately, that doesn’t keep her lonely heart from fantasizing about her newest client, Caleb Black. She made the mistake of starting a flirtatious correspondence with the clever devil, believing they would never meet. But when his new bride abandons her mid-way to Colorado to elope with another man, Maggie is forced to face the devastatingly handsome Caleb and explain. Now she’ll have to stay long enough to make things right and find him a new wife. But Maggie better hang on to her vow with both hands, because Caleb has other plans for the fiery matchmaker…and a very seductive kiss.
“What do you mean, you quit? Mr. Sinclair, you just can’t quit.” Margaret “Maggie” Selby put her pen down on the desk. She would not raise her voice. She would not lose control.
“I’m sorry, Mrs. Selby, but I got no choice. There’s an opening at the sanitarium in Albany and my Mary, she needs to go right now. The doctors there might be able to help her. We leave on the morning train.”
Maggie took a deep breath and nodded. She understood. She really did, but it didn’t change the fact that she was now in a difficult situation. “Of course, you must go. I know how poor Mary’s health is and any help that can be obtained for her, must be.”
“I wish I could give you some notice, but we just received the letter in yesterday’s post.”
“It’s fine, Mr. Sinclair. I’ll manage.”
He handed her an envelope. “Here are the train tickets.”
“Yes, well, I’ve wanted to see the frontier I’ve been sending my these girls to. I’m simply going to see it sooner than I anticipated.”
“I’m truly sorry, Mrs. Selby.”
Maggie got up, came around the desk and held her hand out to him. “You just take care of Mary. That’s your job now.”
He shook her hand, nodded. Mr. Sinclair put on his hat and wiped his brow with his kerchief before venturing back out into the already hot and sunny morning.
She went to her desk, grabbed Caleb Black’s file, put the closed sign on the door and then went upstairs to her apartment to pack. Her bride, Jenny Talbot would be by in an hour or so to pick up her tickets. Maggie would tell her then that she’d be accompanying her, not Mr. Sinclair. It was just as well. Jenny was nervous as a kitten and Maggie worried about the union, but both Mr. Black and Jenny had been adamant that it take place. If truth be told, Maggie herself was a better match for Mr. Black than Jenny. But she was here to find matches for others, not for herself.
Jenny’s reasoning she understood. Jenny was the oldest of the seven Talbot children. At twenty-two years old, felt she was a burden on her parents even though she worked and helped out with the bills. She hated her job and wanted to get married. Her chances were growing slim. Most men of marriageable age were either already married, old or widowers with hellions for children.
Jenny was a tall, slim girl with pale blue eyes and dark blond hair. Her lips were full, her nose long and straight. Just a plain young woman from a struggling family who wanted a better life. One that the wild frontier might be able to offer.
Mr. Black’s reasoning was less clear. He was successful and wanted children. Maggie had presented him with several other possible candidates, some more attractive, some younger, some older, all of whom he’d rejected. The reasons he gave were weak. Brown hair. Too short. Too fat. Too thin. Too young. Too old. There seemed to be a reason for rejecting every one she sent him.
Finally, he’d settled on Jenny with the proviso that Maggie herself accompanied the girl. She’d agreed, but stated only that Jenny would be accompanied. With her full intention having been to send Mr. Sinclair in her place. Maggie’s time was much more well spent here in New York. Finding clients, assigning candidates that is where her mind, body and commitment lay. Yes, running her business is where she belonged more than on a trip to the wild West. She didn’t feel bad about her decision. Really she didn’t, she told herself over and over. But she was lying. If she were honest, deep down she was afraid to meet Mr. Black. Afraid her image of him would be wrong, but even more afraid it would be right and he really was the man he depicted in his letters.
She shouldn’t have allowed it, the private correspondence, but it had been innocent enough. In the beginning. A simple flirtation with someone she’d never meet. But now, the thought of actually meeting him terrified and thrilled her at the same time. Now she had to go. Maggie released a rather breathless sigh. She blinked repeatedly against the harsh sunlight. So Mr. Black was getting what he’d asked for after all. Much to her dismay.
Buy Fiery Bride on Amazon - http://amzn.com/B00DSSVG72
About the Author
Cynthia Woolf was born in Denver, Colorado and raised in the mountains west of Golden. She spent her early years running wild around the mountainside with her friends.
Their closest neighbor was one quarter of a mile away, so her little brother was her playmate and her best friend. That fierce friendship lasted until his death in 2006.
Cynthia was and is an avid reader. Her mother was a librarian and brought new books home each week. This is where young Cynthia first got the storytelling bug. She wrote her first story at the age of ten. A romance about a little boy she liked at the time.
She worked her way through college and went to work full time straight after graduation and there was little time to write. Then in 1990 she and two friends started a round robin writing a story about pirates. She found that she missed the writing and kept on with other stories. In 1992 she joined Colorado Romance Writers and Romance Writers of America. Unfortunately, the loss of her job demanded she not renew her memberships and her writing stagnated for many years.
In 2001, she saw an ad in the paper for a writers conference being put on by CRW and decided she’d attend. One of her favorite authors, Catherine Coulter, was the keynote speaker. Cynthia was lucky enough to have a seat at Ms. Coulter’s table at the luncheon and after talking with her, decided she needed to get back to her writing. She rejoined both CRW and RWA that day and hasn’t looked back.
Cynthia credits her wonderfully supportive husband Jim and the great friends she’s made at CRW for saving her sanity and allowing her to explore her creativity.
OTHER TITLES AVAILABLE:
TAME A WILD HEART
TAME A WILD WIND
TAME A WILD BRIDE
TAME A SUMMER HEART
THE SWORDS OF GREGARA – JENALA
THE SWORDS OF GREGARA – RIZA
THE SWORDS OF GREGARA – HONORA
WEBSITE – www.cynthiawoolf.com